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Showing posts with label <b>Margo Tamez</b>. <a href="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/">Show all posts</a>
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<h2 class='date-header'><span>Wednesday, September 03, 2008</span></h2>

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<p class=MsoNormal style='margin-bottom:12.0pt'><a href="http://www.uapress.arizona.edu/BOOKS/bid1795.htm"><span style='color:windowtext;text-decoration:none;text-underline:none'><img border="0" height="416" id="_x0000_i1025" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/fjIppu6KsD9OwTbrzCcNNLmAYYN-0ZPionrXHNZw0cS1gh9mYZgBVZdUZocnwuGpEeddD-FQ_vQyA-g8SYMgI_aHBkX61BpQNaUb%3Ds0-d" width="312"></span></a></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>The </span><st1:place><st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'>University</span> </st1:PlaceType><span style='font-size:10.0pt;font-family:Arial;color:black'> of </span><st1:PlaceName><span style='font-size:10.0pt;font-family:Arial;color:black'>Arizona Press</span></st1:PlaceName></st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'> has a reputation for being one of &#8211; if not <i style='mso-bidi-font-style:normal'>the </i>&#8211; most active publishers of Native American poetry &amp; poetics in the </span><st1:country-region><st1:place><span style='font-size:10.0pt;font-family:Arial;color:black'>United States</span></st1:place></st1:country-region><span style='font-size:10.0pt;font-family:Arial;color:black'>. If you are interested in this literature, you&#8217;re certainly <span class=GramE>know</span> the press and its <a href="http://www.uapress.arizona.edu/series/series_detail.php?s=13"><span style='color:black'>Sun Tracks</span></a> series of books. But I wonder to what degree outsiders like <span class=GramE>myself</span> &#8211; those who may have only an indirect relationship to the writing &#8211; know about the press and its work. I can&#8217;t remember when I last saw one of its books in a store. Not that long ago, for example, I was under the impression that it had been ages since <a href="http://www.uapress.arizona.edu/catalogs/author_books.php?id=579"><span style='color:black'>Simon Ortiz</span></a>, a favorite poet of mine, had had a book until several friends, mostly living in the Arizona area, corrected me. Now, reading <a href="http://www.nativewiki.org/Margo_Tamez"><span style='color:black'>Margo Tamez&#8217;</span></a> riveting <i style='mso-bidi-font-style:normal'>Raven Eye, </i>I wonder just how much else I must be missing. It would appear to be a lot.<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><i style='mso-bidi-font-style:normal'><span style='font-size:10.0pt;font-family:Arial;color:black'><a href="http://www.uapress.arizona.edu/BOOKS/bid1795.htm"><span style='color:black'>Raven Eye</span></a> </span></i><span style='font-size:10.0pt;font-family:Arial;color:black'>is a book of poems in two movements, one that recounts the lives of women in two generations, Raven &amp; Corn Girl, bringing out the many kinds of violence facing Native women, opening up questions like <i style='mso-bidi-font-style:normal'>what is desire </i>in a world in which one is not just a victim of rape, but likewise the mother of another such victim, while the second movement elaborates rituals that might be employed in at least a partial attempt at healing. But this description doesn&#8217;t do the book any justice whatsoever, since what it is not is a simplistic black-and-white collection of political poetry. There are not only no simple answers here, there are no simple poems. And Tamez is capable of filling almost any page with some tremendous moments of writing even when what is being depicted is <span class=GramE>itself</span> utterly horrific. It&#8217;s an exceptionally complex project &amp; Tamez shows herself to be completely up to the task. Think of the implicit aspects of &#8220;Hanging from Red Cord&#8221;:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>There exists<br>
A hand-carved boat<br>
With a way to go<br>
Up the long length<br>
Of river<br>
Clogged by invasive species<br>
Toxic sludge<br>
<br>
The river calls<br>
In any case<br>
Contaminated or not<br>
<br>
Calls a song<span style='mso-spacerun:yes'>&#160;&#160;&#160;&#160; </span>moony waxing waft<br>
Heart of a <span class=SpellE>silverhair</span><br>
Grandma calling with instructions<br>
<br>
Outfitted with a bone knife<br>
Pounding stone<br>
Dried nuts<span style='mso-spacerun:yes'>&#160;&#160; </span>wolfberries<span style='mso-spacerun:yes'>&#160;&#160; </span>mesquite<span style='mso-spacerun:yes'>&#160;&#160;</span><span class=SpellE>nopales</span><br>
Drinking water and wool blankets woven and dyed the old way<br>
<br>
I close my eyes<br>
Grasp my knife<br>
Hanging from red cord<br>
Around my neck<span style='mso-spacerun:yes'>&#160;&#160;&#160; </span>a gift<br>
From she who emerged from water <span class=SpellE>slicklove</span><span style='mso-spacerun:yes'>&#160; </span>wet<br>
Pressing her <span class=SpellE>motherlove</span> into me<br>
<br>
<i style='mso-bidi-font-style:normal'>Practice<br>
Knowing the beast<br>
Do<br>
What is necessary<br>
</i>She chanted<o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>These are images, or links to further images, that will recur throughout this book, but what makes them work here is the specificity of Tamez&#8217; writing, the boat in the compromised river, the remarkable lyric tone of the song &#8211; captured in just three words &#8211; and perhaps most of all the list of foods. One might see such detail as superfluous to the forward motion of an underlying narrative, but by the time you reach this piece, a third of the way through the book, I doubt seriously that you&#8217;re reading for narrative so much as <span class=GramE>your</span> allowing it to come in with everything else. Indeed, what first made me pull this book out of the mass of volumes submitted for the William Carlos Williams award was just such wonderful &#8220;excess&#8221; right on the very first page:<o:p></o:p></span></p>

<p class=MsoNormal style='margin-top:0in;margin-right:0in;margin-bottom:12.0pt;margin-left:.5in'><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Who will return lamps to the smelted sky?<br>
Who will remember the knots that held up sun?<br>
<br>
</span><span lang=PT-BR style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black;mso-ansi-language:PT-BR'>O! sky!<br>
O! luminous tree!<br>
O! raven! O! muted one!<br>
<br>
</span><span style='font-size:10.0pt;font-family:Verdana;mso-bidi-font-family:Arial;color:black'>Falling water<br>
Falling down<br>
Croaking raven<br>
Flutter wind<br>
Nobody hears<br>
<span class=GramE>not the sound<br>
nor the thought<br>
<br>
O</span>! fist!<br>
O! fist on raven&#8217;s head!<br>
Is it night&#8217;s or is it sun&#8217;s?<br>
Or is it the war?<br>
<span class=GramE>Or the world of wars?</span><o:p></o:p></span></p>

<p class=MsoNormal style='margin-bottom:12.0pt'><span style='font-size:10.0pt;font-family:Arial;color:black'>You can&#8217;t write like that and make it work without total confidence in your skills, and utter fearlessness as well. Tamez makes the reader, <i style='mso-bidi-font-style:normal'>this reader, </i>feel completely comfortable with both the specificity of her vision &#8211; <i style='mso-bidi-font-style:normal'>the smelted sky </i>is a direct antecedent of the river clogged with invasive species &amp; toxic sludge some 22 pages later &#8211; and the surges of emotion that are part &amp; parcel of this text. The poet she reminds me of most in this regard is someone who, like Tamez, wrote from a deep sense of a mixed (she uses the word <i style='mso-bidi-font-style:normal'>mongrel</i>) identity, the late Lorenzo Thomas (Panama-Queens-Houston), and there are moments here, as in Thomas&#8217; work, that make me think that such New York School peers of his as, say, Ted Greenwald must be somehow channeled into the work. I sort of doubt that this is really the case with Tamez, but she is somebody that anyone with a NY School background could read with great pleasure as well as with a shock of recognition at just how far she can take her poetics in the direction of the political. She&#8217;s someone you could read alongside David Shapiro &amp; Eileen Myles &amp; Alice Notley, the most social of those poets. And it would be very interesting indeed to see her reading alongside them, and getting published &amp; distributed by the likes of Penguin. As Michael McClure once said of Helen Adam, a voice this powerful you just have to trust. It doesn&#8217;t really matter what genre she chooses to employ &#8211; the lightning bolt energy is going to go right through you. <o:p></o:p></span></p>
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<a href="http://www.ucpress.edu/books/pages/10742.php">I: The Age of Huts<br /><br /></a>             <a href="http://www.ucpress.edu/books/pages/10742.php"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh6.googleusercontent.com/proxy/u_VsYLU9NS_tJXOrl6A4RM1Dne7QkuSslpBc0StgKSXXoIDStYoXqSwDo2tuxST00QD3ynVJH4yjAhcEzTWyM0F_RriCRx9yZdyygceY2wm-%3Ds0-d" /></a><br /><br /><br />II: Tjanting<br /><br /><a href="https://www.saltpublishing.com/products/tjanting-9781876857196"><img src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh4.googleusercontent.com/proxy/efy1lIcVIKeKSdy_WUDIxV8WLN0OJmA3f7enQ2XDwxwt7Bh5ssfQQAkW_o4oG6FqrB1RGf7CX-Rw-VQ4u36RIuwSsCMxWjjHFDP4c7CbW2d_%3Ds0-d" /></a><br /><br /><br /><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx">III: The Alphabet<br /><br /></a><a href="http://www.uapress.ua.edu/product/Alphabet,1897.aspx"><img id="ctl00_MainContent_ProductInfo1_ctl00_PrimaryImage_PrimaryImage" onclick="javascript:window.open(&#39;http://www.uapress.ua.edu//images/temp/212-1897-Product_LargeToMediumImage.jpeg&#39;, 1, &#39;resizable=1, width=500, height=700&#39;)" src="https://writing.upenn.edu/epc/mirrors/ronsilliman.blogspot.com/images/lh3.googleusercontent.com/proxy/OnaMjXm2h6XxneM04RgHx1Bkf2Wi9UE3a8c3o0NDvW5wXo7BK3MaM5VP9YfbEIpHYxAstTorwhNW4lhhkNuua5bDX7Ogr2UgZ1NMDDjeh-0bNnuo-WH-9pGHIR6lv-4-_UDHVNe36xB6%3Ds0-d" style="border: 1px solid Gray;" /></a><br /><div><br /></div><div>IV. from Universe</div><div><br /></div><div><br /></div><div><br /></div><div><br /></div>
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<span style="font-weight: bold;">MEMOIRS &amp; COLLABORATIONS</span><br /><a href="https://www.amazon.com/Leningrad-American-Writers-Soviet-Union/dp/1562790056">Leningrad</a><br /><a href="http://www.thegrandpiano.org/">The Grand Piano</a><br /><a href="https://www.saltpublishing.com/products/under-albany-9781844710515">Under Albany</a><br /><br /><span style="font-weight: bold;">CRITICISM</span><br /><a href="http://www.spdbooks.org/Producte/0937804207/the-new-sentence.aspx">The New Sentence</a><br /><br /><span style="font-weight: bold;">ANTHOLOGY</span><br /><a href="https://secure.touchnet.com/C22921_ustores/web/classic/product_detail.jsp?PRODUCTID=327&SINGLESTORE=true">In The American Tree</a><br /><br /><br /><br />
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<br /><img alt="" src="file%3A///Users/Lynn/Desktop/silliman2a.jpg" / /><img alt="" src="file%3A///Users/Lynn/Library/Caches/TemporaryItems/moz-screenshot.png" / /><span style="color: #990000; font-weight: bold;">RON SILLIMAN</span> has written and edited 40 books, and had his poetry and criticism translated into 16 languages. Silliman was a 2012 Kelly Writers House Fellow, the 2010 recipient of the Levinson Prize from the Poetry Foundation, a 2003 Literary Fellow of the National Endowment for the Arts, a 2002 Fellow of the Pennsylvania Arts Council, and a 1998 Pew Fellow in the Arts. Silliman has a plaque in the walk dedicated to poetry in his home town of Berkeley and a sculpture in the Transit Center of Bury, Lancaster, a part of the Irwell Sculpture Trail. He lives in Chester County, Pennsylvania and teaches at the University of Pennsylvania.<br /><br /><br /><br /><br /><br /><br />(c) 2002-2019 by Ron Silliman.
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